Terri Brooks: Terri Brooks

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Just ideas

Cross gallery
Bundaberg

As the name suggests 'Just Ideas' is group exhibition of Australian and international artists exploring the note, the concept, the preliminary work. Size limit 20 cm.

White Front, 2022, gesso on hessian, 18 x 14 x 11 cm.
This is an experimental work for a series in this media.

See Instagram @crossgallerybundaberg for included artists.

Terri Brooks and Tracey Lamb

Opening August 14 at 1 pm

Cross Gallery

Bundaberg QLD

Thirteen paper works exhibited for the first time including:

White Square, 2018, oil on paper, 30 x 30 cm. Sold prior to opening.

White Diagonal, 2019, oil on paper, 28 x 22 x 10 cm.

Hessian Stripes, 2020, oil on paper, 35 x 30 x 10 cm.

Brown White Black, 2020, oil on paper, 35 x 30 x 10 cm x 2 (Diptych)

Red Line Square Box, 2020, oil on canvas, 24 x 22 x 17 cm.

Installation view

Museum Galerie Heerenveen
3
Terri Brooks
Kees de Vries
Harmen van der Tuin

10 JULI T/M 22 AUGUSTUS 2021

Gallery MUGA cordially invites you and your friends to the start of the exhibition 3 artists
Saturday 10 July from 13.00-17.00.

Tuesday to Friday from 11 am to 5 pm, Saturday and Sunday from 13.00-17.00

Museum Heerenveen
11 Minckelersstraat
8442 CE Heerenveen, NL

Terri Brooks, Line Crunch 2, oil and enamel on paper, 40x30 cm.

Kees de Vries, Zoutsculptuur, salt with acid and so 2 zeezout afm, 60x60 cm.

Harmen van der Tuin, Opaal Afmeting,123,6 x 200 x 14 cm. Gemengde techniek.

Some install shots

Jurjen K. VanderHoek, 'ZERO to Downunder', Tumblr, August.

https://jurjenkvanderhoek.tumblr.com

Line and Weight

'In her seminal 1979 essay ‘Grids’, Rosalind Krauss writes that ‘logically speaking, the grid extends, in all directions, to infinity’. The grid within an artwork is therefore ‘a tiny piece arbitrarily cropped from an infinitely larger fabric’. The paintings in Line and Weight convey both this sense of the infinite spatial grid and, through the building up of layers, the infinite and repetitious nature of time. Washed over, painted across, re-written, line by line.' Anna Dunhill 2019.

Over the Edge

`The neglected zones of urban existence – alley ways, awnings, walls, gutters and shutters – occupy a unique place within the history of painting. Perhaps inadvertently, artists have been depicting such insignificant elements as cracked window ledges or the dark recesses of architraves since the time of Giotto. Ubiquitous, utilitarian and often worn down, the marginal nature of such sites and the phenomenological questions they raise has dominated Terri Brooks practice for the past two decades and continues to inform her work today.' Phe Luxford, 2011.